This is a tough vote. The best movie among the nominees is clearly Gravity (though you could make a case for Frozen) but my concern is that it’s not speculative. This is set in the present day, with present day technology. If it had been done 40 years ago it would have been SF. Today it isn’t. IMHO, merely being set in space does not qualify a movie as SF, so as good as it is, it doesn’t get my vote.
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Beth and I caught Up this past weekend, and wow. Pixar has hit another one out of the park. Once again they’ve produced a brilliant, fun, original, creative movie unlike anything I’ve ever seen before. And it’s not just the animation (though that does open up possibilities that don’t exist in a live action movie). I’ve been racking my brain, and I really can’t think of a prior story–movie, novel, or comic book–that’s remotely close to Up’s. Where Disney persists in ripping off centuries old fairy tales, and most studios just keep remaking the same 5 or 6 stale plots over and over, Pixar somehow manages to continue creating wildly new tales out of whole cloth.
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OK. I can’t hold my mouth any longer. Star Trek is dead and J.J. Abrams killed it. The latest movie has finally put Star Trek in the ground far more effectively than Star Trek V ever did. Although technically a good movie (unlike Star Trek V)–well plotted, well shot, and adequately acted–it has destroyed the franchise. More seriously, it has destroyed the entire Star Trek universe.
Lots of folks and critics seem to have liked this movie, and indeed liked it more than almost any other Star Trek movie/episode; and that’s the key point. The people who never liked or cared about Star Trek before, didn’t really notice or care what Abrams just did to the characters and universe they grew up with. They just admired the modern special effects, the well-plotted action, and the better-than-the-original-series acting. But those of us who did love Star Trek since 1966 because we had been able to see beyond the bad makeup and the occasionally corny dialog to the real heart of the show? We walked out of the movie with a very bad taste in our mouths that for once didn’t come from the popcorn. Spoilers follow.
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I caught Burn After reading last night. I wasn’t planning to see this–I generally avoid CIA movies–but Beth wanted to see it, and George Clooney was in it so how bad could it be? Not very. In fact, it was quite good. It was exactly what most Hollywood movies aren’t: almost completely unpredictable. With one or two exceptions, I never knew where it was going next right up through the end. It was anything but formulaic, and quite amusing all the way through.
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I caught Hancock at the $2 movie in Woodbridge last week. ($1.50 matinee actually.) That was about the right price. There were seeds of a couple of really interesting movies here. One you saw in previews: polishing the obnoxious superhero for modern media. The other story–well, I won’t spoil it for you.
Unfortunately there really wasn’t time to do both stories in 90 minutes or so. This story might have been better done as a TV series (Heroes?). But what really killed it in the end was a cliché that has lost all force.
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I finally caught Tomb of the Dragon Emperor yesterday. Moving the story to China insead of Egypt, and finding a new mummy was a nice change of pace. Maria Bello was a definite improvement on Rachel Wesiz (if not quite as easy on the eyes) and Brendan Fraser was, well, Brendan Fraser.
However the basic rule for these sorts of movies is that they need to move so fast that you don’t have time to notice all the holes in the plot. Tomb of the Dragon Emperor didn’t quite achieve sufficient speed to lift off. Just when you thought it would; there’d be a long boring sequence that gave you time to catch your breath and start laughing at how silly the whole thing was. If you haven’t seen it yet, don’t bother. It’s not worth the $10.
