Mokka mit Schlag » TV

I had very mixed reactions to the Watchmen premier on HBO last week. On the one hand, it’s incredibly well done and I can’t stop thinking about it, much like I was obsessed with the original comic book when it first came out in the 1980s. On the other hand, I absolutely despise every single character in this show. No one, so far, is likable or sympathetic except for the family in the opening scene; and based on the closing scene I’m not sure they’ll stay that way in the present day. In the comic book Rorschach, Nite Owl, Dr. Manhattan, Laurie Jupiter, and Veidt were all interesting people with some good qualities. Yes, they were all deeply flawed in different ways, but I didn’t detest any of them (except the Comedian, and he was meant to be detestable). Watchmen was a story about good versus good, not good versus evil. Everyone in that story was trying to do what they truly believed was the right thing, and that was the horror of it all.

So far in the TV series, it’s the opposite. I detest everyone. This is a story about evil versus evil. There are no good people, just less bad people or people who are bad in different ways. It’s really hard to root for anyone.

That said, episode 1 answered a few questions I had about HBO’s sequel and opened a few more. In no particular order:
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I binged two teen-focused series while visiting my brother’s house this Christmas, Riverdale and Runaways. The difference was striking. Runaways is everything Riverdale isn’t. Complex, conflicted, imperfect characters who aren’t stereotypes in dramatic, not melodramatic, situations. It almost completely avoids monologuing. (Frank Dean does monologue his motivations at one point early in Season 2, a scene that is jarring only because it’s so out of place with the subtext and show-don’t-tell that reveals the other characters in the series.)

In many ways this show surpasses the comic book series it’s based on, especially when it comes to the parents, who were a little cardboard in the original. This show alone will get me to sign up for Hulu at least long enough to finish watching Season 2.
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Monday’s final How I Met Your Mother episode is going to go down in the history books as the best wrapup to a series ever. It shows just what can be accomplished when the show runners really know where they’re going and plan it out in advance. It’s particularly impressive coming off of the worst season of the show ever.
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Children of Earth just finished on BBC America last night, and despite having to get up at 5:15 A.M. this morning for a marsh census, I couldn’t avoid staying up to watch it. Wow. Russell T. Davies surpassed himself and reached new levels of creepiness with this one.

Sadly it was marred by an ending that would have embarrassed a Star Trek TNG writer. Torchwood might as well have saved the day by reversing the polarity on the deflector shields. It was that bad. I can think of at least five preferable and more plausible endings: (Light spoilers follow)
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I caught the premiere of Fringe last night. More plausible than Alias but not quite as plausible as Lost. I’ll probably set the DVR to record future episodes, but as long as they’re enough King of the Hill repeats to keep me occupied, I probably won’t get around to watching them until they’re automatically erased.

In Chicago last month I happened to catch Men in Trees on TV. It was mildly amusing, but I liked it better the first time I saw it. You know, when it was called Northern Exposure.